Emmanuel, or 马俊, from France, studied at the prestigious ESRA in Paris, and is an accomplished film and TV writer, director, editor and showrunner with projects in France, the US, China and Senegal. He was selected among 500 screenwriters to write and direct The Girl at the Bottom Of The Saké Glass (Canal+), a romantic comedy and official selection of the 2009 La Rochelle Festival. He's been a TV host for the Disney Channel, a comedy writer for stand-up legend Anthony Kavanagh, co-wrote and directed the first French web series Chinese Ex-Model, and later his first feature film The Eye Of Silence. He's won awards at the Lunchon Festival and SeriesMania and now has over ten films and TV series under his belt including China/France crossover projects. He believes firmly in bridging cultural gaps through filmmaking and shared creativity. He's fluent in English and French, good at Spanish and 马马虎虎 in Chinese and can't wait to meet you!
Emmanuel,又称马俊,来自法国,毕业于巴黎著名的ESRA,
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Emmanuel is very much a creative. As a film dir...
Emmanuel is very much a creative. As a film director and writer, he both loves and hates AI. Why? Why is this sentiment shared by so many creatives? Want to know something many of them won't admit? AI actually has the ability to boost their creativity and make them better! How? And how can it do the same for you?_x000D_
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In this club, we'll learn about and discuss how AI is used in the film industry. We'll see how creative people leverage AI to get the most out of themselves. What AI tools do they use? How do they apply to filmmaking's different aspects? What differences would you see between a creative AI user and a less creative one? Where will it all go from here?_x000D_
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Let's have a fascinating discussion!_x000D_
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Emmanuel非常有创意。作为一名电影导演和编剧,他对AI既爱又恨。为什么呢?为什么这么多创意人士都有这样的感受?想知道他们中许多人不愿承认的事情吗?AI实际上能够提升他们的创造力并让他们变得更好!怎么做到的?它又如何为你做到这一点?_x000D_
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在这个俱乐部中,我们将学习并讨论AI在电影行业中的应用。我们将了解创意人士如何利用AI来最大限度地发挥自己的潜力。他们使用哪些AI工具?这些工具如何应用于电影制作的不同方面?创意AI用户和不那么创意的用户之间会有什么区别?从这里开始,这一切将走向何方?_x000D_
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让我们进行一次精彩的讨论吧!