How do cinematographers use light and, in some cases, interactive installations to convey emotions or messages to the audience? How do the greatest directors of photography (DPs) manage to this so artfully, skillfully, and seamlessly? How can you do it on a relatively low budget?_x000D_ _x000D_ In this club, we'll break down to skill sets and technical and creative abilities of some of the best DPs in the industry. And before we can answer the questions above, we need to what questions these professionals are asking themselves when they go to work..._x000D_ _x000D_ Every cinematographer is an artist who makes creative decisions on how to guide the viewer’s eye within the frame using lighting equipment. So before anything happens they have to answer the following questions, which we'll be doing together in this club: Which props and scene elements should be emphasized? Whose perspective should we see the scene through? How much light should the audience be able to see? How shoudl characters differ from one another in a frame? Which emotions should be expressed through light?_x000D_ _x000D_ Let's have a fun, interactive, and enlightening workshop!_x000D_ _x000D_ 电影摄影师如何使用光线，在某些情况下，使用互动装置向观众传达情感或信息?最伟大的摄影导演(DPs)是如何做到这一点，并做的如此巧妙，娴熟，无缝?你如何在相对较低的预算下做到这一点?_x000D_ _x000D_ 在这个俱乐部里，我们将分解行业中一些最好的摄影导演的技能组合、技术和创新能力。在我们回答上面的问题之前，我们需要知道这些专业人士在工作时问自己什么问题……_x000D_ _x000D_ 每个电影摄影师都是艺术家，他们在如何使用照明设备在框架内引导观众的眼睛方面做出创造性的决定。所以在任何事情发生之前，他们必须回答以下问题，我们将在这个俱乐部一起做:哪些道具和场景元素应该被强调?我们应该从谁的角度来看这个场景?观众应该能看到多少光线?在一个框架中，角色之间应该有什么不同?哪些情绪应该通过光来表达?_x000D_ _x000D_ 让我们有一个有趣的，互动的，启发性的研讨会!